Monday, 24 April 2017

TASK 1B FINAL


Task 1B

Codes and conventions of my chosen documentary

http://www.bbc.co.uk/programmes/b03x1zs2

Daisy Abeka

Reggie Yates millionaire preacher

The first documentary I will be reporting on is Reggie Yates: the millionaire preacher. The documentary follows Reggie Yates as he travels to South Africa to find out about why the famous Preacher Mboro is such an influence to many people in South Africa and how he make his money. This type of documentary I have chosen is an interactive type of documentary, the reason for this is because the film maker interacts with the subject as Reggie spends a day shopping with the preacher, becomes a part of the congregation at one point and follows him to the poor parts of South Africa as he shows love to the people.

This particular documentary follows the conventions of an interactive programme because the audience are able to see the film maker as well as watch the producer get involved with the subject.    In the beginning of the documentary exposition happen first this introduces the main theme of the subject. And it creates the viewers first impression as the producer selects segments of the programme that will catch the viewer’s attention. There are verbal conventions; the use of voice over is also to allow the audience to gain a deeper understanding of the subject and what is going on. However voice of authority is used so we can see who is representing the view of the documentary, an example of this was when after Reggie Yates visited the church, and there was a voice over as the camera showed the city of South Africa as he explained his first impressions of the congregation. In a way this is enabling the audience to understand his views about the subject. My chosen documentary also follows the conventions of an interactive format as it doesn’t use re- enactments of events it’s all real life and people that are shown, this is also shown when the use of the handheld camera that captures the live events that take place in the church, and in the streets of South Africa when the producers follow the preacher around. This is to create realism in his programmes and allow the audience to also base their opinions on the subject. Hand held camera is used for Reggie Yates programmes this is because majority of his programmes a lot of action occurs and it is easier for the audience to keep up with any live events or action that takes place, in a way it is also making the documentary realistic.

 Another reason why the programme follows the conventions of an interactive mode is because the producer also interviews with eye witnesses and people that are related to subject and become reliant on the honesty of the witnesses. However it does not follow the typical codes of a factual documentary as there are no written codes used, an example would be headlines or captions. The reason for this is the producer wants his programme to be represented in the honest way possible, and as the subject the producer is also in contact with the subject at all times.

Heal me in the name of Jesus


Heal me in the name of Jesus is a documentary about a disabled journalist who travels to Australia to meet a preacher who claims he can heal sick people and make the disabled free from using wheelchairs or any support that may be using. The programme lies under the code of an expository mode, as well as an interactive mode. The reason for this being expository is because it follows the typical conventions of an expository mode. The use of constant authoritative commentary used to persuade the audience her point of view on the subject. This was seen as the producer watched past videos of the healing congregation online and the voice over played persuading the audience that she was not convinced by the videos she was watching. This persuasive technique is what draws the audience’s attention onto her point of view on the subject, being expository appeals audience as the producer is talking directly to the audience. In a way this is drawing the audience attention making the viewers feel as if they are with the producer. The use of old footages and pictures also make the documentary to fall into the code of expository showing past events and facts about the church in the programme. As the documentary is getting an insight to the lives of preachers and why so many people believe. The producer has a one to one interview with the main subject at the end, this enables the audience to see the two different opinions being shared allowing the audience to be left with their own opinion on the subject.

There was also an interview with an expert in the particular field who gives an overview on the subject; the expert is used to balance the story so it doesn’t come across as bias to viewers. It’s another way of giving professional observations. An example was when the producer visited the church witnessed firsthand a miracle taking place, as it then cut back to the expert in science explaining how miracles may be difficult for the human mind to understand.

Another reason why it falls under the code of a participatory documentary is because the encounter between the filmmaker and the subjects. She actively joins the members of the congregation to be healed, and spends a week interviewing members of the church as well to also gather their opinions and find out why they have faith in the preacher. The use of images and testimonials from the members of the congregation are also part of the programme to allow the audience to get an insight into the mind of the people that believe in the preacher. There is no definitive argument or biased opinions at the end of the interview.

BBC News

BBC news is a major news channel but the style is different when it comes to reporting news worldwide. This particular factual news programme doesn’t have the typical news reporter in the studio but a reporter visiting the subject and reporting directly to the audience in documentation. I have picked a subject from BBC news, as it talks about the positive effects of cannabis oil and how it can treat epilepsy. The programme focuses on one child with epilepsy this type of programme lies under observational and expository. The reason for it being expository is because of the use of “voice of God” in most factual programmes this is used to narrate the subject in a more in depth way for the audience. It is another way of Speaking directly to the viewer, in an authoritative commentary employing with titles proposing a point of view. An example of this was when the camera showed the subject with the parent as the voice over talks over, informing the audience of the extent of the epilepsy, alongside a title on the screen with the subjects name and age. Another reason why it falls under the category of observational is because there is simple observation of the subject with minimum intervention. Majority of the programme consisted of the observation of the subject with the voice over’s of the author and experts, with their titles coming up at the bottom of the screen. Diegetic sounds is used throughout making the programme making the subject real to the audience, as it is shown on a news programme. An interview with an expert in the health field is also interviewed to give a more in depth explanation to the audience, speaking directly to the camera stating the facts and statistics on the weight of the subject. The producer is hardly seen in the video only heard through narration; this allows the audience to be free to judge their opinion on the subject.

With this programme it follows the conventions of a news programme, the use of titles to inform the audience of who is speaking. With the statistics shown being broadcasted on a well known news channel allows the audience to trust the information given.

Steve back shall- deadly 60

Deadly 60 is a wildlife factual programme showing nature and wildlife that viewers have not seen. This type of programme falls under the code of expository, the reason for this is because the producer constantly engages the viewers by directly addressing to the audience with his strong point of view. This was shown when Steve was having an encounter with one of the wildlife and at the same time talking to the camera on his opinion on how powerful nature is and how humans fail to realise it. This was then followed by a voice over which was in sync with the image of the wildlife, directly speaking to the audience. Another reason for deadly 60 to fall under the category of expository is the use of titles. The titles are used when the producer is explaining the features of an animal or insect. This was used when Steve encountered a scorpion and held it close to the camera, as the features of the scorpion appeared on the screen ranking the scorpion as one of his ‘deadly 60’s’ .This engages the audience in order for them to keep up with the information.

However, this programme also follows the code of an interactive documentation the producer actively engages with the activities and gets in contact with dangerous animals. Another example of this interaction was when Steve was joining the sharks in the sea and at the same time speaking to the camera, this engages the audience making them feel the same experience. The use of hand held camera is constantly used throughout the filming; this is to create a live feel for the audience. Allowing the producer to host the audience as they watch the danger that he is facing the audience are aware of the presence of the camera and the crew as they would also be in the shot whiles recording. The editing in this program is normally long takes and the use of zooming in as a lost of fast action takes place as the camera crew try to be fast to capture the action. The long shots in deadly 60 signify the mass scale f the extreme situation the producer is going through. This also entices the viewer into waiting to see what occurs next. As well as seeing the depth of the danger of the wildlife scenery. Non-diegetic sound is when there is dangerous segments shown, this enhance’s the mood of the programme controlling the audience emotions.

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